![]() ![]() He was told that as early as three years old, he was fascinated by music played to him by his father from artists like Tangerine Dream. Lepage’s passion for storytelling through music was instilled in him at a young age. You feel drained but happy at the same time, it’s quite a special feeling.” “When you see the music in the bodies of other people, it’s quite a big moment every time, I am surprised at how it affects me. “All those feelings, how hard it was to create that project because it’s so intense, it’s so big, there’s so many things to do, so many people to take care of,” he says. ![]() With CRYSTAL – and each of his projects – there’s a moment when he sees it come together and he’s overwhelmed with emotion. While the process can be full on, Lepage says that once everything is set in motion with the choreography, costumes, performance and production elements, the final showcase is worth all of the hard work. Recordings are made for the elements that aren’t performed live and modifications are made before full rehearsals ensure everything is perfected. Over two months, the music is scrutinised as talented performers who use artforms like trapeze, pendular poles and aerial straps learn the choreography to mesmerise audiences. The soundtrack is made up of Lepage’s own ideas, fusing together electronic and classical music to create the signature Cirque sound.įor the first time in Cirque’s history, the show includes remastered pop songs such as “ Chandelier” by Sia, “Halo” by Beyoncé, “Sinnerman” by Nina Simone and “Beautiful Day” by U2. Three live musicians move between eight different instruments including a violin, acoustic and electric guitars, accordion, clarinet and saxophone. You need to come up with music that inspires other people to work, it’s a lot of pressure but it’s good, it’s very fun.” “I make the movie in my head and do the music for that movie. The programmers, the dancers, the acrobats, the video team, the lighting guys, everybody is waiting for the music to be composed and then the show starts to build on it. You have a person waiting for the music to be composed so they can work. “I start from nothing but little phrases. With a blank canvas, Lepage tries to conjure the feeling behind each scene. ĬRYSTAL is the famed circus’ 42nd production and the first time that it’s ventured into creating a world on ice. “The magic, it comes from the imagination,” Lepage tells Rolling Stone AU/NZ. The composer is tasked with creating the score from hints of the emotions the directors want the audience to feel. The show celebrates Disney’s extraordinary legacy in the art of animation reinterpreted through Cirque du Soleil’s innovative design, acrobatic performances, dazzling choreography and creative costuming.įor more information, visit /Cirque.Using his expert musical knowledge to build a playground for the acrobats and performers of CRYSTAL, he’s the starting point for bringing the show to life. Nostalgic journey back to their own childhood with Disney Animation themes sprinkledĭrawn to Life is the first theatrical collaboration between three entertainment icons: Cirque du Soleil, Walt Disney Animation Studios and Walt Disney Imagineering. With a small but immensely talented group of musicians performingįrom a space elevated high in the wings, the music takes audience members on a Nouba soundtrack, returned to create the musical score. The world-famous musical composer whose projects include the beloved La Not necessarily see, during each live theatrical performance. Today we’re sharing a new video of what you will hear, but Behind the scenes, artists and technical crews are working around the clock to make sure everything is ready for the show’s world premiere. 18 grand opening of Drawn to Life presented by Cirque du Soleil and Disney.
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